Books, Edited Books, Book Chapters, Encyclopedia Entries
BOOKS 2018
Arcangeli, A. L'altro che danza: Il villano, il selvaggio, la strega nell’immaginario della prima età moderna. Milan: Edizioni Unicopli, 2018.
Bailey, M. L. Socialising the Child in Late Medieval England, c.1400‒1600. York Medieval Press, 2012, re-released on paperback in 2018. 269pp.
Boquet, D. and P. Nagy. Medieval Sensibilities: A History of Emotions in the Middle Ages. Cambridge, Polity Press, 2018. Translated by R. Shaw.
Boquet, D. and P. Nagy. Medioevo sensibile: Una storia delle emozioni (secoli III–XV). Rome: Carocci, 2018.
Ghose, I. Much Ado About Nothing: Language and Writing. London: The Arden Shakespeare (Bloomsbury), 2018.
Gibbard, P (translator and editor). The Dream, by Émile Zola, translated with an introduction and notes by P. Gibbard. Oxford World’s Classics. Oxford: Oxford University Press, 2018.
Jarzebowski, C. Kindheit und Emotion: Kinder und ihre Lebenswelten in der europäischen Frühen Neuzeit [Childhood and Emotion: Children and their Lives in the European Early Modern Period]. Berlin: De Gruyter Oldenbourg, 2018.
Luke, N. Shakespearean Arrivals: The Birth of Character. Cambridge: Cambridge University Press, 2018.
White, R. S. Ambivalent Macbeth. Sydney: Sydney University Press, 2018.
Edited Books 2018
Bailey, M. L., T. M. Colwell and J. Hotchin, eds. Women and Work in Premodern Europe: Experiences, Relationships and Cultural Representation, c.1100–1800. Abingdon, Oxon: Routledge, 2018.
Beaven, L. M. and A. Ndalianis, eds. Emotion and the Seduction of the Senses, Baroque to Neo-Baroque. Kalamazoo: Medieval Institute Publications, 2018.
Cohen-Hanegbi, N. and P. Nagy, eds. Pleasure in the Middle Ages (International Medieval Research). Turnhout: Brepols Publishers, 2018.
Downes, S., S. Holloway and S. Randles, eds. Feeling Things: Objects and Emotions Through History. Oxford: Oxford University Press, 2018.
Garrod, R. and P. J. Smith, eds. Natural History in Early Modern France: The Poetics of an Epistemic Genre. Leiden: Brill, 2018.
Hickey, H., A. McKendry and M. Raine, eds. Contemporary Chaucer Across the Centuries. Manchester: Manchester University Press, 2018.
Hodge, J., S. Cowdell, C. Fleming and C. Osborn, eds. Does Religion Cause Violence? Multidisciplinary Perspectives on Violence and Religion in the Modern World. London: Bloomsbury, 2018.
Kiernan, F., ed. Jan Dismas Zelenka: Six Settings of 'Ave Regina Coelorum' (ZMW 128). Wisconsin: AR-Editions, 2018.
Macdonald, R., E. K. M. Murphy and E. L. Swann, eds. Sensing the Sacred in Medieval and Early Modern Culture. Abingdon, Oxon: Routledge, 2018. ISBN: 9781472454669
Maddern, P.†, J. McEwan and A. M. Scott, eds. Performing Emotions in Early Europe. Turnhout: Brepols, 2018.
Rawnsley, C. and R. S. White. The New Fortune Theatre: That Vast Open Stage. Crawley: UWA Publishing, 2018.
Book Chapters 2018
Bailey, M. L., T. M. Colwell and J. Hotchin. ‘Approaching Women and Work in Premodern Europe’. In Women and Work in Premodern Europe: Experiences, Relationships and Cultural Representation, c.1100–1800, edited by M. L. Bailey, T. M. Colwell and J. Hotchin, pp. 1–29. Abington, Oxon; New York: Routledge, 2018.
Barclay, K. ‘From Confession to Declaration: Changing Narratives of Parricide in Eighteenth-Century Scotland’. In Parricide and Violence Against Parents throughout History: (De)Constructing Family and Authority?, edited by M. Muravyeva and R. M. Toivo, pp. 97–116. Basingstoke: Palgrave Macmillan, 2018.
Barclay, K. ‘Love and Friendship Between Lower Order Scottish Men: Or What the History of Emotions Has Brought to Early Modern Gender History’. In Revisiting Gender in European History, 1400–1800, edited by E. Dermineur, V. Langum and A. Karlsson Sjögren, pp. 121–44. Abington, Oxon; New York: Routledge, 2018.
Barnes, D. G. ‘Emotional Debris in Early Modern Letters’. In Feeling Things: Objects and Emotions Through History, edited by Stephanie Downes, Sally Holloway and Sarah Randles, pp. 114–32. Oxford: Oxford University Press, 2018.
Beaven, L., K. Grant and M. Whitelaw. ‘Digital Cartographies of the Roman Campagna’. In The Routledge Research Companion to Digital Medieval Literature, edited by J. E. Boyle and H. J. Burgess, pp. 212–26. London: Routledge, 2018.
Beaven, L. M. 'Introduction' (with Angela Ndalianis). In Emotion and the Seduction of the Senses, Baroque to Neo-Baroque, edited by L. M. Beaven and A. Ndalianis, pp. 1–17. Kalamazoo: Medieval Institute Publications, 2018.
Beaven, L. M. 'Faith and Fetish: Objects and the Body in Catholic Devotional Practice'. In Emotion and the Seduction of the Senses, Baroque to Neo-Baroque, edited by L. M. Beaven and A. Ndalianis, pp. 235–53. Kalamazoo: Medieval Institute Publications, 2018.
Bleiker, R. and E. Hutchison. ‘Methods and Methodologies for the Study of Emotions in World Politics’. In Researching Emotions in Industrial Relations: Methodological Perspectives on the Emotional Turn, edited by Maéva Clément and Eric Sangar, pp. 325–42. London: Palgrave Macmillan, 2018.
Broomhall, Susan. ‘Emotions of the Past in Catherine de Medici’s Correspondence’. In Affective and Emotional Economies in Medieval and Early Modern Europe, edited by A. Marculescu and C.-L. Morand Métivier, pp. 87–104. Basingstoke: Palgrave Macmillan, 2018.
Broomhall, S. ‘Dirk Hartog’s Sea Chest: An Affective Archaeology of VOC Objects in Australia’. In Feeling Things: Objects and Emotions Through History, edited by Stephanie Downes, Sally Holloway and Sarah Randles, pp. 175–91. Oxford: Oxford University Press, 2018.
Broomhall, S. and J. Van Gent. ‘Courting Nassau Affections: Performing Love in Orange-Nassau Marriage Negotiations’. In Performing Emotions in Early Europe, edited by P. Maddern†, J. McEwan and A. M. Scott, pp. 133–68. Turnhout: Brepols Publishers, 2018.
Broomhall, S. ‘Feeling Divine Nature: Natural History, Emotions and Bernard Palissy's Knowledge Practice’. In Natural History in Early Modern France: The Poetics of an Epistemic Genre, edited by R. Garrod and P. J. Smith, pp. 46–69. Leiden: Brill ‘Intersections’, 2018.
Broomhall, Susan. ‘“The Ambition in My Love”: The Theatre of Courtly Conduct in All’s Well that Ends Well’. In The Palgrave Handbook of Shakespeare's Queens, edited by K. M. Finn and V. Schutte, pp. 355–72. London: Palgrave Macmillan, 2018.
Broomhall, Susan. ‘Counsel as Performative Practice of Power in Catherine de Medici’s Early Regencies’. In Queenship and Counsel in Early Modern Europe, edited by H. Matheson-Pollock, J. Paul and C. Fletcher, pp. 135–59. London: Palgrave Macmillan, 2018.
Cassidy-Welch, M. ‘Emotion, Place and Memory at the Royal Abbey of St Denis’. In Performing Emotions in Early Europe, edited by P. Maddern†, J. McEwan and A. M. Scott, pp. 185–99. Turnhout: Brepols, 2018.
Champion, M. S. ‘Emotion, Time and Music at Cambrai Cathedral’. In Performing Emotions in Early Europe, edited by P. Maddern†, J. McEwan and A. M. Scott, pp. 3–26. Turnhout: Brepols, 2018.
Cohen-Hanegbi, N. ‘Bodily Pleasures: Late Medieval Medical Counsel in Context’. In Pleasure in the Middle Ages, edited by N. Cohen-Hanegbi and P. Nagy, pp. 59–75. Turnhout: Brepols Publishers, 2018.
Cohen-Hanegbi, N. and P. Nagy. ‘Pleasure in the Middle Ages: An Introduction’. In Pleasure in the Middle Ages, edited by N. Cohen-Hanegbi and P. Nagy, pp. xi–xxiii. Turnhout: Brepols Publishers, 2018.
D'Arcens, L. ‘'In remembrance of his persone': transhistorical empathy and the Chaucerian face?’. Contemporary Chaucer Across the Centuries, edited by H. Hickey, A. McKendry and M. Raine, pp. Manchester: Manchester University Press, 2018.
Davidson, J. W. and A. E. Krause. ‘Social and Applied Psychological Explorations of Music, Health and Well-Being’. In Music, Health and Wellbeing: Exploring Music for Health Equity and Social Justice, edited by N. Sunderland, N. Lewandowski, D. Bendrups and B.-L. Bartleet, pp. 33–63. London: Palgrave Macmillan, 2018.
Davidson, J. W. and R. Faulkner. ‘Group Singing and Social Identity’. In The Oxford Handbook of Singing, edited by G. E. Welch, D. M. Howard and J. Nix. Oxford: Oxford University Press, 2018 (online).
Davidson, J. W. and S. Garrido. ‘Singing and Psychological Needs’. In The Oxford Handbook of Singing, edited by G. E. Welch, D. M. Howard and J. Nix. Oxford: Oxford University Press, 2018 (online).
Davidson, J. W. and L. Murray. ‘Voice Management and the Older Singer. In The Oxford Handbook of Singing, edited by G. E. Welch, D. M. Howard and J. Nix. Oxford: Oxford University Press, 2018 (online).
De Toni, F. ‘Lessico e semantica delle emozioni: testimonianze di evoluzione storica in dizionari ed enciclopedie sette-ottocenteschi’ [Lexicon and semantics of emotions: evidence of historical evolution in eighteenth- and nineteenth-century dictionaries and encyclopaedias]. In Etimologia e storia delle parole: atti del XII convegno ASLI, Associazione per la storia della lingua italiana (Firenze, Accademia della Crusca, 3–5 novembre 2016), edited by L. Tomasin and L. D’Onghia, pp. 289–305. Firenze: Cesati, 2018.
Downes, S. ‘Have ye nat seyn somtyme a pale face?’. Contemporary Chaucer Across the Centuries, edited by H. Hickey, A. McKendry and M. Raine, pp. Manchester: Manchester University Press, 2018.
Downes, S., S. Holloway and S. Randles. ‘A Feeling for Things, Past and Present’. In Feeling Things: Objects and Emotions Through History, edited by Stephanie Downes, Sally Holloway and Sarah Randles, pp. 8–23. Oxford: Oxford University Press, 2018.
Ferber, S. 2018 ‘The Devil Comes to Town: Magdaleine de Flers and the Picardy Illuminists’. In La Sorcellerie et la ville/Witchcraft and the City, edited by M. Simon and A. Follain, pp. 225—238. Strasbourg: Presses universitaires de Strasbourg, 2018.
Gagne, J. ‘Emotional Attachments: Iron Hands, their Makers and their Wearers, 1450–1600’. In Feeling Things: Objects and Emotions Through History, edited by Stephanie Downes, Sally Holloway and Sarah Randles, pp. 133–53. Oxford: Oxford University Press, 2018.
Garrod, R. ‘The Natural-Historical Rejuvenation of Emblematics: The Moral Pedagogy of Nicolas Caussin’s Polyhistor Symbolicus’. In Natural History in Early Modern France: The Poetics of an Epistemic Genre, edited by R. Garrod and P. J. Smith, pp. 120–39. Leiden: Brill, 2018.
Ghose, I. ‘Sprezzatura and Cultural Capital in The Merchant of Venice’. In The Shakespearean International Yearbook 17, edited by T. Bishop, A. A. Joubin and S. Haines, pp. 62–73. Abingdon, Oxon; New York: Routledge, 2018.
Gibbard, P. ‘Empiricism and Sensibility in the Australasian Journal of Théodore Leschenault de la Tour (1800–1803)’. In Natural History in Early Modern France: The Poetics of an Epistemic Genre, edited by R. Garrod and P. J. Smith, pp. 263–90. Leiden: Brill, 2018.
Grassi, U. ‘Il frutto proibito. Eresia, peccato originale ed emozioni nell’Italia moderna’ [The Forbidden Fruit. Heresy, Original Sin and Emotions in Modern Italy]. In Infami macchie: Sessualità maschili e indisciplina in età moderna [Infamous Stains: Male Sexuality and Indiscipline in the Modern Age], edited by F. Alfieri and V. Lagioia. Roma: Viella, 2018.
Haskell, Y. ‘Latinitas Iesu: Neo-Latin Writing and the Literary-Emotional Communities of the Old Society of Jesus’. In The Oxford Handbook of the Jesuits, edited by Ines G. Županov. Oxford: Oxford University Press. Published online April 2018.
Hickey, H. ‘Capturing Christ’s Tears: La Saint Larme in Medieval and Early Modern France’. In Feeling Things: Objects and Emotions Through History, edited by Stephanie Downes, Sally Holloway and Sarah Randles, pp. 58–71. Oxford: Oxford University Press, 2018.
Holbrook, P. ‘Shakespeare and Dependency’. In The Shakespearean International Yearbook 17, edited by T. Bishop, A. A. Joubin and S. Haines, pp. 74–83. Abingdon, Oxon; New York: Routledge, 2018.
Holloway, S. ‘Materializing Maternal Emotions: Birth, Celebration and Renunciation in England, c.1688–1830’. In Feeling Things: Objects and Emotions Through History, edited by Stephanie Downes, Sally Holloway and Sarah Randles, pp. 154–71. Oxford: Oxford University Press, 2018.
Horodowich, E. and A. Rizzi. ‘Rocking the Boat: Language and Identity on the Early Modern Gondola’. In City, Court, Academy: Language Choice in Early Modern Italy, edited by E. Del Soldato and A. Rizzi, pp. 13‒30. Abingdon, Oxon; Routledge, 2018.
Hotchin, J. ‘Gender, Authority and Monastic Work: Holy Cross near Brunswick, c.1500’. In Women and Work in Premodern Europe: Experiences, Relationships and Cultural Representation, c.1100–1800, edited by M. L. Bailey, T. M. Colwell and J. Hotchin, pp. 144–68. Abingdon, Oxon; New York: Routledge, 2018.
Hutchison, E. ‘Trauma’. In Visual Global Politics (Interventions), edited by R. Bleiker, pp. 306–13. Abingdon, Oxon; Routledge, 2018.
Irving, D. R. M. ‘Music in Global Jesuit Missions, 1540–1773’. In The Oxford Handbook of Jesuits, edited by Ines G. Zupanov. New York: Oxford University Press. Published online Sept. 2018 [print version in press, 2019].
Irving, D. R. M. ‘Hearing Other Cities: The Role of Seaborne Empires and Colonial Emporia in Early Modern Global Music History’. In Hearing the City in Early Modern Europe, edited by T. Knighton and A. Mazuela-Anguita, pp. 69–84. Turnhout: Brepols, 2018.
Irving, D. R. M. ‘Ancient Greeks, World Music, and Early Modern Constructions of Western European Identity’. In Studies on a Global History of Music: A Balzan Musicology Project, 2013–2015, edited by R. Strohm, pp. 21–41. Abingdon, Oxon; Routledge, 2018.
Irving, D. R. M. ‘Cosmopolitanism and Music in the Early Modern Lusophone World’. In Cosmopolitanism in the Portuguese-Speaking World, edited by Francisco Bethencourt, pp. 111–31. Leiden: Brill, 2018.
Kallestrup, L. N. ‘“Kind in Words and Deeds, but False in Their Hearts”: Fear of Evil Conspiracy in Late-Sixteenth-Century Denmark’. In Cultures of Witchcraft in Europe from the Middle Ages to the Present, edited by J. Barry, O. Davies and C. Usborne, pp. 137–53. London: Palgrave Macmillan, 2018.
Kambaskovic-Schwartz, D. ‘“I am lunaticke”: Michael Drayton, Samuel Daniel and the Evolution fo the Lyric’. In A Companion to Renaissance Poetry (Blackwell Companions to Literature and Culture), edited by Catherine Bates, pp. 289–302. Hoboken: Wiley-Blackwell, 2018.
Karant-Nunn, S. ‘Martin Luther’s Heart’. In Performing Emotions in Early Europe, edited by P. Maddern†, J. McEwan and A. M. Scott, pp. 243–63. Turnhout: Brepols, 2018.
Lynch, A. ‘Contested Chivalry: Youth at War in Walter Scott and Charlotte M. Yonge’. In Romance Rewritten: The Evolution of Middle English Romance. A Tribute to Helen Cooper, edited by E. Archibald, M. G. Leitch and C. Saunders, pp. 241–56. Cambridge: Boydell and Brewer, 2018.
Lynch, A. ‘Chaucer as Catholic Child in Nineteenth-Century English Reception’. In Contemporary Chaucer Across the Centuries, edited by H. Hickey, A. McKendry and M. Raine, pp. 172–87. Manchester: Manchester University Press, 2018.
McAlister, J. 'Messy multiplicity: strategies for serialisation in new adult fiction'. In Prequels, coquels and sequels in contemporary anglophone fiction, edited by A. Parey, pp.142–62. New York: Routledge, 2018. doi: 10.4324/9780429438059.
McAlister, J. ‘Virgin Heroines in Romance Fiction’. In The Encyclopedia of Romance Fiction, edited by K. R. Ramsdell, pp. 383–86. Santa Barbara, Calif.: Greenwood, 2018.
Macdonald, R. ‘Sensing Sacred Missives: Birch Bark Letters from Seventeenth-Century Missionaries in New France’. In Sensing the Sacred in Medieval and Early Modern Culture, edited by R. Macdonald, E. K. M. Murphy and E. L. Swann, pp. 158–79. Abingdon, Oxon; Routledge, 2018.
Macdonald, R., E. K. M. Murphy and E. L. Swann, ‘Introduction’. In Sensing the Sacred in Medieval and Early Modern Culture, edited by R. Macdonald, E. K. M. Murphy and E. L. Swann, pp. 1–15. Abingdon, Oxon; Routledge, 2018.
MacKinnon, D. ‘“[D]id ringe at oure parish churche... for joye that the Queene of Skotts ... was beheaded”: Public Performances of Early Modern English Emotions’. In Performing Emotions in Early Europe, edited by P. Maddern†, J. McEwan and A. M. Scott, pp. 169–81. Turnhout: Brepols Publishers, 2018.
†Maddern, P. ‘“It Is Full Merry in Heaven”: The Pleasurable Connotations of “Merriment” in Late Medieval England’. In Pleasure in the Middle Ages, edited by N. Cohen-Hanegbi and P. Nagy, pp. 21–38. Turnhout: Brepols Publishers, 2018.
Maddern, P.†, J. McEwan and A. M. Scott. ‘Introduction: Performing Emotions in Medieval and Early Modern Worlds’. In Performing Emotions in Early Europe, edited by P. Maddern†, J. McEwan and A. M. Scott, pp. xiii–xxx. Turnhout: Brepols Publishers, 2018.
Marchant, A. ‘Romancing the Stone: (E)motion and the Affective History of the Stone of Scone’. In Feeling Things: Objects and Emotions Through History, edited by Stephanie Downes, Sally Holloway and Sarah Randles, pp. 192–208. Oxford: Oxford University Press, 2018.
Marshall, L. ‘Affected Bodies and Bodily Affect: Visualizing Emotion in Renaissance Plague Images’. In Performing Emotions in Early Europe, edited by P. Maddern†, J. McEwan and A. M. Scott, pp. 73–103. Turnhout: Brepols, 2018.
Mews, C. J. ‘Intoxication and the Song of Songs: Bernard of Clairvaux and the Rediscovery of Origen in the Twelfth Century’. In Pleasure in the Middle Ages, edited by N. Cohen-Hanegbi and P. Nagy, pp. 329–52. Turnhout: Brepols Publishers, 2018.
Nagy, P. ‘History of Emotions’. In Debating New Approaches of History, edited by P. Burke and M. Tamm, p.p. 189–216. London: Bloomsbury, 2018.
Nancarrow, J.-H. ‘Emotions3D: Remediating the Digital Museum’. In The Routledge Research Companion to Digital Medieval Literature, edited by J. E. Boyle and H. J. Burgess, pp. 199–211. Abingdon, Oxon; Routledge, 2018.
Osborn, C. ‘Rites of Expulsion: Violence Against Heretics in Early-Modern Catholic France’. In Does Religion Cause Violence?: Multidisciplinary Perspectives on Violence and Religion in the Modern World, edited by S. Cowdell, C. Fleming, J. Hodge and C. Osborn, pp. 129–46. London: Bloomsbury, 2018.
Ovens, M. ‘Thine Enemy: Virtual Reality and Narrative Space in Medieval Representations of Interpersonal Combat’. In The Routledge Research Companion to Digital Medieval Literature, edited by J. E. Boyle and H. J. Burgess, pp. 250–57. Abingdon, Oxon; Routledge, 2018.
Potter, U. ‘Menstruation and Coming of Age’. In Gender: Time, edited by K. Sellberg, pp. 185–200. Farmington Hills: Macmillan Reference USA, 2018.
Randles, S. ‘Signs of Emotion: Pilgrimage Tokens from the Cathedral of Notre-Dame of Chartres’. In Feeling Things: Objects and Emotions Through History, edited by S. Downes, S. Holloway and S. Randles, pp. 43–57. Oxford: Oxford University Press, 2018.
Randles, S. ‘When Adam delved and Eve span’: Gender and Textile Production in the Middle Ages’. In Women and Work in Premodern Europe: Experiences, Relationships and Cultural Representation, c.1100–1800, edited by M. L. Bailey, T. M. Colwell and J. Hotchin, pp. 71–102. Abingdon, Oxon; New York: Routledge, 2018.
Read, R. ‘Boosting the Emotional Power of New Liturgy: The Hidden Sides of Things in Giotto’s Crib at Greccio’. In Performing Emotions in Early Europe, edited by P. Maddern†, J. McEwan and A. M. Scott, pp. 201–20. Turnhout: Brepols Publishers, 2018.
Ritchie, F. and R. S. White., ‘Shakespeare Quotation in the Romantic Age’. In Shakespeare and Quotation, edited by J. Maxwell and K. Rumbold, pp. 120‒35. Cambridge: Cambridge University Press, 2018.
Ruys, J. F. ‘From Virtue Ethics to Emotional Intelligence: Advice from Medieval Parents to Their Children’. In Affect, Emotion, and Children’s Literature: Representation and Socialisation in Texts for Children and Young Adults, edited by K. Moruzi, M. J. Smith and E. Bullen, pp. 19–32. Abingdon, Oxon; Routledge, 2018.
Stastny, A. ‘Settler-Indigenous Relationships and the Emotional Regime of Empathy in Australian History School Textbooks in Times of Reconciliation’. In Emotion, Affective Practices and the Past in the Present, edited by L. Smith, M. Wetherell and G. Campbell, pp. 246–64. Abingdon, Oxon; New York: Routledge, 2018.
Trigg, S. J. ‘When Literature Takes You by Surprise, or, The Case Against Trigger Warnings’. In The Conversation Yearbook 2018, edited by John Watson, 99–101. Melbourne: Melbourne University Press, 2018. (Not refereed).
Trigg, S. J. ‘Afterword: Reading Historical Emotions’. In Affective and Emotional Economies in Medieval and Early Modern Europe, edited by Andreea Marculescu and Charles-Louis Morand Metivier, 247–51. Palgrave History of the Emotions Series. New York: Palgrave, 2018.
Trigg, S. J. ‘Opening The Canterbury Tales’. In Chaucer and the Subversion of Form, edited by T. A. Prendergast and J. Rosenfeld, pp. 182–200. Cambridge: Cambridge University Press, 2018.
White, R. S. ‘“Dress’d in a Little Brief Authority”: Shakespeare and the Value of Dissent’. In The Shakespearean International Yearbook 17, edited by T. Bishop, A. A. Joubin and S. Haines, pp. 84–100. Abingdon, Oxon; New York: Routledge, 2018.
White, R. S. ‘Eklavya: Shakespeare meets the Mahabhartata’. In Shakesepare and Indian cinemas: "Local Habitations", edited by P. Trivedi and P. Chakravarti, pp. 45–61. New York and London: Routledge, 2018.
White, R. S. ‘Literary humour in English: A short cultural history’. In Humour in the arts: New perspectives, edited by V. Westbrook and S Chao, pp. 20–39. Abington, Oxon: Routledge, 2018.
White, R. S. ‘Paradoxes of form and chaos in the poetry of Waterloo’. In Writing war in Britain and France, 1370–1854: A History of Emotions, edited by S. Downes, A. Lynch and K. O'Loughlin, pp. 183–200. New York and London: Routledge, 2018.
White, R. S. and F. Ritchie. ‘Shakespeare Quotation in the Romantic Age’. In Shakespeare and Quotation, edited by J. Maxwell and K. Rumbold, pp. 120–35. Cambridge: Cambridge University Press, 2018.
Zika, C. ‘The Kerry Stokes Schembart Book: Festivity, Fashion and Family in the Late Medieval Nuremberg Carnival’. In Antipodean Early Modern European Art in Australian Collections, c.1200–1600, edited by A. Dunlop, pp. 269–85. Amsterdam: Amsterdam University Press, 2018.
Edited Journals, Journal Articles, General Articles
Edited Journal Issues 2018
Barclay, K., A. Lynch and G. Tarantino, eds. Emotions: History, Culture, Society 2.1 (2018).
Barclay, K., A. Lynch and G. Tarantino, eds. Emotions: History, Culture, Society 2.2 (2018).
D’Arcens, L. and A. Lynch, eds. 'Feeling for the Premodern’, special issue, Exemplaria 30.3 (2018).
Gregory, J. and B. Oliver, eds. ‘War and Emotions’, special issue, Studies in Western Australian History 32 (2018).
Lemmings, D. and K. Temple, eds. ‘The Emotional Lives of Constitutional Patriotism’, Interdisciplinary Forum, Emotions: Culture, History, Society 2.1 (2018).
Ruys, J. F. ‘An Alternative History of Empathy’, Interdisciplinary Forum, Emotions: History, Culture, Society 2.2 (2018).
Tarantino, G., ed. 'From Comparative to Global History: Assessing Relational Approaches to the Past', special issue, CROMOHS 21 (2017–2018).
Journal Articles 2018
Arcangeli, A. ‘Sognare gli affetti’ [Dreaming Affections]. Bruniana & Campanelliana 24.2 (2018): 421–37.
Bailey, M. L. ‘The Importance of Equilibrium in Thomas Dekker’s A Worke For Armourers (1609)’. English Studies 99.2 (2018): 1‒17. https://doi.org/10.1080/0013838X.2017.1418041
Barbezat, M. D. ‘“He Doubted That These Things Actually Happened”: Knowing the Otherworld in the Tractatus De Purgatorio Sancti Patricii’. History of Religions 57.4 (2018): 321–47.
Barclay, K. and R. Carr, eds. ‘Women, Love and Power in Enlightenment Scotland’. Women’s History Review 27.2 (2018): 176–98. (Print version 2018).
Barclay, K. ‘Love and Violence in the Music of Late Modernity’. Popular Music and Society 41.5 (2018): 539–55. (first online 2017) https://www.tandfonline.com/eprint/kEcgsbKNMfrH6epVUriE/full
Broomhall, S. ‘Moving Objects: Reading the Emotions of Japanese Christian Exiles in Batavia’. Humanities Australia 9 (2018): 71–79.
Chong, K. ‘“Bot a quene!”: Calculating Salvation in Pearl’. Studies in the Age of Chaucer 40 (2018): 217–55.
Clarke, J. ‘Rape, Revenge and Resurrection in Correr's Progne’. The International Journal of the Classical Tradition (online May 2018).
Clement, J. ‘He Being Dead, Yet Speaketh: The Preacher's Voice in Early Seventeenth‐Century Posthumous Sermon Collections’. Renaissance Studies 32.5 (2018): 738–54.
D’Arcens, L. and A. Lynch. ‘Introduction: Feeling for the Premodern’. Exemplaria 30.3 (2018): 183–90.
D’Arcens, L. ‘Nostalgia, Melancholy, and the Emotional Economy of Replacement: Feeling for La France Profonde in the Novels of Michel Houellebecq’. Exemplaria 30.3 (2018): 257–73.
Dell, H. 'What to do with Nostalgia in Medieval and Medievalism Studies?' Emotions: History, Culture, Society 2.2 (2018): 274–91.
Dieckmann, S. and J. W. Davidson. ‘Organised Cultural Encounters: Collaboration and Intercultural Contact in a Lullaby Choir’. The World of Music (new series) 7.1&2 (2018): 155–78.
Dieckmann, S. and J. W. Davidson. ‘Emotions’. Music and Arts in Action 6.2 (2018): 29–44.
English, H. J., S. Monk and J. W. Davidson. ‘Music and World-Building in Newcastle, New South Wales, Australia’. International Journal of Community Music 11.3 (2018): 245–64.
Essary, K. and Y. Haskell. ‘Calm and Violent Passions: The Genealogy of a Distinction from Quintilian to Hume’. Erudition and the Republic of Letters 3.1 (2018): 55–81.
Grassi, U. 'Ambiguous Boundaries Sex Crimes and Cross-Cultural Encounters in the Early Modern Mediterranean World'. Studi e Materiali Di Storia Delle Religioni 84.2 (Dec. 2018), 513–28
Goldsmith, S. ‘Nostalgia, Homesickness and Emotional Formation on the Eighteenth-Century Grand Tour’. Cultural and Social History: The Journal of the Social History Society 15.3 (2018): 333—60. DOI: 10.1080/14780038.2018.1492791
Goodrich, R. A. ‘Futurist Ruptures? Cubist Ruptures?’. Double Dialogues 19 (2018): 1–10.
Goodrich, R. A. ‘Jacques Derrida: Artaud the Moma’. Phenomenological Reviews 4 (2018): 1–13.
Haskell, Y. ‘Group Therapy for Venetian Adolescents? Giannantonio Bernardi’s Prudence, a didactic prolusion (Venice, 1709) and Jesuit Moral Counselling in Verse’. Special issue ‘Jesuits as Counsellors’, ed. Harald Braun, Journal of Jesuit Studies 4.2 (2017): 186–208.
Holmes, R. E. and T. Johnson. ‘In Pursuit of Truth’. Forum for Modern Language Studies 54.1 (2018): 1–16.
Johnson. T. ‘The Sinewes of Truth’: Binding Law and Emotion in Thomas Tomkis’s Lingua. Forum for Modern Language Studies 54.1 (2018): 17–31.
Krause, A. E., J. W. Davidson and A. C. North. ‘Musical Activity and Well-Being: A New Quantitative Measurement Instrument. Music Perception 35.4 (2018): 454–73. doi:10.1525/MP/2018.35.4.454
Macdonald, R. ‘Crafting Quebec’s Seventeenth-Century Past: A Birch Bark Letter by Twentieth-Century Hospitalières’. Exemplaria 30.3 (2018): 223–40.
McAlister, J. ‘“Feelings Like the Women in Books”: Declarations of Love in Australian Romance Novels, 1859–1891’. Emotions: History, Culture, Society 2.1 (2018): 91–112.
McAlister, J. 'The literary text as historical artifact: The colonial couple in Australian romantic fiction by women, 1838–1860'. Lilith: A Feminist History Journal 24 (2018): 38–51.
McGillivray, G. '“Suiting Forms to Their Conceit”: Emotion and Convention in Eighteenth-Century Tragic Acting'. Theatre Survey 59.2 (2018): 169‒89.
Megna, P. ‘Existentialist Medievalism and Emotional Identity Politics in Simone de Beauvoir’s The Useless Mouths’. Exemplaria 30.3 (2018): 241–56.
Megna, P. ‘Chaucerian Parrhesia: World-Building and Truth-Telling in The Canterbury Tales and “Lak of Stedfastnesse”’. postmedieval: a journal of medieval cultural studies 9.1 (2018): 30–43.
Milka, A. ‘Feeling for Forgers: Character, Sympathy and Financial Crime in London During the Late Eighteenth Century’. Journal for Eighteenth Century Studies (2018). https://doi.org/10.1111/1754-0208.12566
Moore, G. ‘“Raising High its Thousand Forked Tongues”: Campfires, Bushfires and Portable Domesticity in Nineteenth-Century Australia’. 19: Interdisciplinary Studies in the Long Nineteenth Century 26 (2018) DOI: http://doi.org/10.16995/ntn.807
Moore, G. ‘Emotions’. Victorian Literature and Culture 46.3/4 (2018).
Moore, G. ‘Alternative Families, Natural Disasters, and Colonial Settlement: Henry Kingsley’s Australia’. Victorians: A Journal of Culture and Literature 133 (2018): 44–57. https://muse.jhu.edu/article/698204/summary
Moore, G. ‘The Road Makers Eat Meat Three Times a Day: Anthony Trollope and the Australian Meat Trade’. Meanjin Quarterly, Autumn 2018: 142–51.
Nagy, P. ‘Collective Emotions, History Writing and Change: The Case of the Pataria (Milan, Eleventh Century)’. Emotions: History, Culture, Society 2.1 (2018): 132–52.
Neimanis. A. and J. M. Hamilton. 'Weathering’. feminist review 118.1 (2018): 80–84.
Potter, L. ‘Ekphrastic Catharsis: Christopher Marlowe’s Mural of Troy’s Fall in The Tragedy of Dido, Queen of Carthage’. Word and Image: A Journal of Verbal/Visual Enquiry (2018): 310–21.
Ruys, J. F. ‘Introduction: An Alternative History of Empathy’. Emotions: History, Culture, Society 2.2 (2018): 175–91.
Ruys, J. F. ‘An Alternative History of Medieval Empathy: The Scholastics and compassio’. Emotions: History, Culture, Society 2.2 (2018): 192–213.
Sharpe, Matthew. ‘The Topics Transformed: Reframing the Baconian Prerogative Instances’. Journal of the History of Philosophy, 56.3 (2018): 429–54.
Temple, K. ‘“Mixed Emotions”: Love, Resentment and the Declaration of Independence’. Emotions: History, Culture, Society 2.1 (2018): 34–51.
Temple, K. and D. Lemmings. ‘Introduction: The Emotional Lives of Constitutional Patriotism’. Emotions: History, Culture, Society 2.1 (2018): 1–10.
White, R. S. ‘Gusto: Keats, Hazlitt, and Pictorial Art’. The Keats-Shelley Review 32.1 (2018): 47–54.
Exhibition Catalogues
Catalogue Entry 2018
Read, R. ‘Fitz Henry Lane, Brace’s Rock, Brace’s Cove, 1864’. In Conversations with the Collection: A Terra Foundation Collection Handbook, edited by P. J. Brownlee, K. M. Bourgignon and E. Glassman. Chicago: Terra Foundation for American Art, 2018). 550 words plus 1 colour.
