Paul Megna is a Postdoctoral Research Fellow in the Meanings, Change and Performance Programs conducting a research project entitled ‘Emotion and Ethics in Medieval and Medievalist Drama’ at The University of Western Australia. He completed his doctoral degree in English from the University of California, Santa Barbara with a dissertation entitled Emotional Ethics in Middle English Literature. He holds an MA in English from the University of Rochester.
Paul’s research interests include emotion, ethics, Middle English literature and medievalism. His dissertation argues that, by conceptualising emotions as judgements integral to the process through which we strive to live ethically, a great deal of Middle English literature anticipates the insights of modern theorists of emotion such as Antonio Damasio and Martha Nussbaum. His book project, Existential Emotion in Middle English Literature, reads Middle English literature and existential philosophy as two temporally disjoined nodes in humanity’s long struggle to instil positive meaning into negative emotions.
Emotion and Ethics in Middle English and Medievalist Drama
Megna, P. ‘Courtly Love Hate is Undead: Sadomasochistic Privilege in Geoffrey Chaucer’s Troilus and Criseyde’. In Everything You Ever Wanted to Know about Literature but Were Afraid to Ask Žižek: Sic 10, edited by R. Sbriglia. Durham: Duke University Press, 2017. Forthcoming.
Megna, P. ‘Teaching Feeling: Medieval Literature, Emotional Ethics and the Case of Compassion’. The Once and Future Classroom 12.3 October (2016). Forthcoming.
Megna, P. ‘Better Living through Dread: Medieval Ascetics, Modern Philosophers, and the Long History of Existential Anxiety’. PMLA 130.5 (2015): 1285–301.
Megna, P. ‘Dread, Love, and the Bodies of Piers Plowman A.10, B.9, and C.10’. The Yearbook of Langland Studies 29 (2015): 61-88.
Megna, P. ‘Fitt VII: Blysse / (Envy)’. Glossator 10 (2015): 132–53.